High drama and hilarity: Mozart's Le Nozze di Figaro at the Guildhall School of Music and Drama

Von Julia Savage, 04 März 2013

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Rezensierte Veranstaltung: Guildhall School of Music & Drama: Silk Street Theatre, London, am 28 Februar 2013

Mozart, Le nozze di Figaro (Die Hochzeit des Figaro)

Guildhall School of Music and Drama

Dominic Wheeler, Musikalische Leitung

Martin Lloyd-Evans, Regie

Bridget Kimak, Bühnenbild

James Adkins, Video

Declan Randall, Licht

Lucy Hall, Susanna

Hadleigh Adams, Figaro

Benjamin Appl, Graf Almaviva

Adam Smith, Don Basilio

Samantha Crawford, Gräfin Almaviva

Anna Starushkevych, Cherubino

Roisin Walsh, Marcellina

James Platt, Doktor Bartolo

Respighi’s Lucrezia compels in Guildhall School’s double bill

Dominic Lowe, 3rd November

Pleas for more Respighi operas are answered as the students of the Guildhall School of Music and Drama give the UK premiere of Lucrezia, paired with Ethel Smyth's Der Wald.

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Sacred and profane in Guildhall School's Respighi double bill

Susannah Moody, 6th November

From the spiritual conversion of a Medieval sex-worker, to the Sleeping Beauty tale reimagined, Guildhall stages a Respighi double-bill.

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Holst and Weir operas from the Guildhall School of Music

David Truslove, 5th June

Two accomplished performances bring emotional depth only intermittently, but show ample security of singing and playing.

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Dead Man Walking given a triumphant staging by Guildhall School

Mark Valencia, 27th February

Under Dominic Wheeler’s expert baton the musicians, all youthful if not downright young, give a spectacular account of a harrowing score.

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Picture perfect: a fine triple bill from the Guildhall School

Dominic Lowe, 11th November

Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.

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Pauline Viardot's Cendrillon outshines Bizet at Guildhall School

David Karlin, 1st November

A double bill of French operettas shows Guildhall students to advantage as well as providing an introduction to Viardot that's well worth the trip.

***11

Weitere Kritiken...

Julia Savage

Julia works behind the scenes at Westminster Abbey as a PA. Outside of her job, she sings with a variety of ensembles in London and further afield, and undertakes freelance editorial and writing projects – from concert programmes to tasting notes.