Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Melissa Hamilton

A gala to be remembered for the sheer number of stellar performances both in classical music and all forms of dance.

A triple bill of works by Balanchine shows off both the dancers’ versatility and his own wide ranging skills as a choreographer. 

The combination of spectacular backdrops and evocative film projections are visually stunning and the dancers are superb, but Wayne McGregor's MaddAddam is difficult to follow.

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

This tenth anniversary revival of Christopher Wheeldon's The Winter's Tale looks as fresh as on the original opening night.

Highs and lows within a glamorous mixed bag of choreography are inevitable when people are travelling from around the world.

The Royal Ballet's lavish Nutcracker provided a plethora of outstanding performances on its opening night.

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

Ballet Nights offers a wonderful variety of dancing and genres. Whatever your preference, there are quality performances to enjoy.

A mixed programme of all-British choreography, including a world premiere, offers something for everyone.

With sumptuous new set designs and costumes, The Royal Ballet are in splendid form in Sir Frederick Ashton's Cinderella.

Sir Peter Wright’s classic Royal Ballet production returns for another festive run to enchant the young – and not so young – at Covent Garden. 

This wonderful ballet has never looked better at The Royal, especially in the remarkable performance of Natalia Osipova.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

Praise goes to Wayne McGregor, Alessandra Ferri and the Royal Ballet for their bold, modern and innovative treatment of Virginia Woolf's legacy.

The YAGP Gala showcases young dancers who will go on to lead the world's ballet companies.

This charismatic Cuban is probably the only big dance name who could compete successfully with the Bolshoi Ballet now here in London. But then, for many years, Carlos Acosta has continuously shown persuasive pluck and daredevil tactics to his devoted audiences, many of whom are supporting him in his latest summer season programme at the Coliseum this week.

This double bill by The Royal Ballet made for a splendid mix of musical and choreographic magic – Mendelssohn and Ashton, Mahler and MacMillan.