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Yanki Yau (Anna II) and Stephanie Wake-Edwards (Anna I) in The Seven Deadly Sins © Julian Guidera

Double bleak: Opera Prelude compares and contrasts Bernstein and Weill

Von David Karlin, 20. August 2026

Opera Prelude’s emerging artists bring out both contrasts and similarities in Trouble in Tahiti and The Seven Deadly Sins.

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London

20. Aug. 2026

Opera Prelude compares and contrasts Bernstein and Weill

Von David Karlin

Henry Waddington (Lady Bracknell) © Richard Hubert Smith

High Wycombe

Wilde nonsense: Gerald Barry’s The Importance of Being Earnest is a smash hit for Garsington

Von Eleanor Knight, 10. Juli 2026

A handbag? Jack Furness’ uproarious new production of Gerald Barry’s irreverent take Oscar Wilde bares some very sharp teeth.

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High Wycombe

10. Juli 2026

The Importance of Being Earnest is a smash hit for Garsington

Von Eleanor Knight

Madison Leonard (Violetta) and Oleksiy Palchykov (Alfredo) © Clive Barda

High Wycombe

Garsington’s new La traviata ticks every musical and dramatic box

Von David Karlin, 27. Mai 2026

Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.

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High Wycombe

27. Mai 2026

Garsington’s new La traviata ticks every musical and dramatic box

Von David Karlin

London

HMS Pinafore at Opera Holland Park: infernal nonsense of the best kind

Von Mark Valencia, 9. August 2022

It’s a risky business to describe comic nuance or timing, so please take my word that these qualities were as pitch-perfect as the vocal prowess on display.

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London

9. Aug. 2022

HMS Pinafore at OHP: infernal nonsense of the best kind

Von Mark Valencia