Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Rob Howell

10 von 10 Kritiken angezeigt

Lesen Sie Rezensionen in einer anderen Sprache: English

Michael Sumuel (Figaro) und Olga Kulchynska (Susanna) © Evan Zimmerman | Met Opera

Glänzendes Met-Debüt von Joana Mallwitz in lebendiger Figaro-Wiederaufnahme

Von Susan Stempleski, 31. März 2025

Eine aufstrebende deutsche Dirigentin entlockt dem Orchester in der fünften Wiederaufnahme der witzigen Inszenierung von Richard Eyre aus dem Jahr 2014 an der Met ein hervorragendes Spiel.

****1

mehr

****1

New York City

31. März 2025

Glänzendes Met-Debüt von Joana Mallwitz

Von Susan Stempleski

New York City

Met Opera revives Le nozze di Figaro with musical style

Von Linda Holt, 16. November 2019

In its revival of the 2014 production of Mozart’s Le nozze di Figaro, the Metropolitan Opera offers a satisfying blend of comic antics, beautifully realized music, and some top-notch singing in several roles.

****1

mehr

****1

New York City

16. Nov. 2019

Met Opera revives Le nozze di Figaro with musical style

Von Linda Holt

New York City

Met's revival of Figaro as relevant today as ever

Von Ako Imamura, 9. Dezember 2017

Under elegant leadership of conductor Harry Bicket, the Met's revival of the "Marriage of Figaro" succeeds with a strong ensemble of cast.

****1

mehr

****1

New York City

9. Dez. 2017

Met's revival of Figaro as relevant today as ever

Von Ako Imamura

New York City

Vittorio Grigòlo energizes an uneven Met staging of Werther

Von Sacha Evans, 20. Februar 2017

From the moment he stepped on stage as our ill-fated title character, Italian tenor Vittorio Grigolo seemed as if he may burst at the seams.

***11

mehr

***11

New York City

20. Feb. 2017

Grigòlo energizes uneven Werther at the Met

Von Sacha Evans

New York City

Anna Netrebko overcomes flawed production of Manon Lescaut at the Met

Von Robert Levine, 14. November 2016

Anna Netrebko scored an unmitigated success in her first Manon Lescaut at the Met, almost obliterating director Richard Eyre’s and designer Rob Howell’s misconceived production.

****1

mehr

****1

New York City

14. Nov. 2016

Netrebko overcomes flawed Manon Lescaut at the Met

Von Robert Levine

New York City

It’s in the wind: Sir Richard Eyre’s Le nozze di Figaro returns to The Met

Von Courtney Smith, 25. Februar 2016

Mozart’s beauty asserted but never implied, Sir Richard Eyre’s Le nozze di Figaro brings grand complications in bright turns and quick wit.

***11

mehr

***11

New York City

25. Feb. 2016

It’s in the wind: Eyre's Figaro returns to The Met

Von Courtney Smith

New York City

Work in progress: Met’s Manon Lescaut starring Opolais and Alagna

Von Ako Imamura, 12. Februar 2016

The Met's new production of Manon Lescaut with Kristine Opolais and Roberto Alagna has great potential to be successful musically, but the production is mixed at best.

***11

mehr

***11

New York City

12. Feb. 2016

Work in progress: Met’s Manon Lescaut

Von Ako Imamura

New York City

A terrific early revival of the Metropolitan Opera's new Figaro

Von Robert Levine, 8. Dezember 2014

After a six week hiatus, the Metropolitan Opera's new Le nozze di Figaro has returned, with a new cast and conductor.

****1

mehr

****1

New York City

8. Dez. 2014

A terrific early revival of the Met's Figaro

Von Robert Levine

New York City

Fire and ice: Rachvelishvili and Antonenko lead a successful Carmen revival at The Met

Von Ako Imamura, 30. September 2014

The Met's revival of Carmen, with its rotating set, has a successful opening night with a strong cast, an insightful conductor, a superb orchestra and chorus, all working well as a team.

***11

mehr

***11

New York City

30. Sept. 2014

Fire and ice: Carmen at The Met

Von Ako Imamura

New York City

Farcical elements to the fore in Eyre’s witty new Figaro as Met Opera season opens

Von Mark Pullinger, 22. September 2014

Richard Eyre’s witty direction may weight Figaro too heavily towards bedroom farce than satirical drama, but with sparky acting it’s difficult not to be won over.

****1

mehr

****1

New York City

22. Sept. 2014

Farcical elements to the fore in Eyre’s witty new Figaro

Von Mark Pullinger