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Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

Ludovic Morlot conducts a strong cast, led by local mezzo J’Nai Bridges, in a concert performance of Saint-Saëns' biblical opera. 

A light, amiable touch predominates in the Peter Kazaras production of Le nozze di Figaro, with a focus on the opera's impeccable comic pacing.

Composer Daniel Schnyder and librettist Bridgette A. Wimberly, both in their Seattle Opera debuts, have done a creditable job of conveying the jazz artist’s lifework.