Seattle Opera’s fast-track Don revealed in stark black and white

Von Stephen Pritchard, 19 März 2021

Laden, bitte warten...

“draining it of colour when our current world is so solidly monochrome is frankly deflating”

Rezensierte Veranstaltung: Marion Oliver McCaw Hall, Seattle, am 19 März 2021

Mozart, Don Giovanni

Seattle Opera

Lidiya Yankovskaya, Musikalische Leitung

Brenna Corner, Regie

Doug Provost, Bühnenbild

Liesl Alice Gatcheco, Kostüme

Connie Yun, Licht

Chris Reay, Projection designer

Jared Bybee, Don Giovanni

Michael Sumuel, Leporello

Vanessa Goikoetxea, Donna Anna

Laura Wilde, Donna Elvira

Jasmine Habersham, Zerlina

Kenneth Kellogg, Komtur

Andrew Stenson, Don Ottavio

Adam Lau, Masetto

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

Mozart meets Vaudeville in Seattle's silent movie Magic Flute

Erica Miner, 22nd February

Eye-popping, hand-drawn animation melds with Mozart's fantastical world and the silent film era to create a colorful and energetic new-to-Seattle production.

***11

African American spirituals ring out in world premiere of Jubilee

Erica Miner, 12th October

A world premiere opera about the Fisk Jubilee Singers, the intrepid troupe of African American singers who changed music history.

*****

Alcina in Seattle: captivating, flirtatious, sometimes weird

Rosie Rogers, 25th October

Thoughtful cuts, an extremely skillful orchestra and active, inventive staging made this sexy dark comedy engrossing and highly watchable.

*****

Frederick Ballentine’s Loge shines in Das Rheingold

Rosie Rogers, 12th August

Despite some confused visual elements, an excellent musical performance makes Seattle Opera's production well worth watching.

****1

Huang Ruo’s riveting Bound makes Seattle Opera debut

Erica Miner, 10th June

Bound tells of a second generation of Asian immigrants, born and raised in the US, their problematic association with their cultural heritage, and the difficulties and challenges they face, bound to their culture but trying to be wholly accepted as American.

*****

Weitere Kritiken...

Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.