Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Belshazzar's Feast

Walton’s Belshazzar’s Feast is brought to life Sir Bryn Terfel, Adam Hickox and the Royal Liverpool Philharmonic Choir and Orchestra. 

Klaus Mäkelä returns to Cleveland with a recent piece by Jimmy López Bellido, prefacing a pair of English works that feature Sol Gabetta, Thomas Hampson and The Cleveland Orchestra Chorus. 

Wang's playing of Rachmaninov’s Rhapsody on a Theme of Paganini is a highlight of Prom 27; Mäkelä misses the bull’s eye on Belshazzar's Feast.

Walton's Belshazzar's Feast crowns a dynamic, daring programme from Sir Simon Rattle and the London Symphony Orchestra. 

John Wilson oversees a glossy, superficial take on early 20th-century works from England and the USA.

The Minnesota Chorale does Leonard Bernstein and Sir William Walton proud, with the Bernstein Chichester Psalms a particularly impressive presentation.  

Kirill Karabits and the Bournemouth Symphony Orchestra brought a wide ranging programme from the south coast for their annual Proms visit.

Three English composers receive fine performances from the BBC National Orchestra of Wales.

Cinematic sweep was on full display as JoAnn Falletta and the VSO/VSC thrilled with vital interpretations of three early 20th Century works by Bax, Respighi and Walton.

A mixed programme thrills, launching the season with a bang

Leeds Festival and Leeds Philharmonic Choir joined the BBC Philharmonic in a splendid performance of Walton's Belshazzar's Feast.

Orient meets Occident in three performances of English works conducted by the Japanese maestro Tadaaki Otaka.

The 60th anniversary of Her Majesty’s Coronation has prompted much festivity and reminiscence. To be on the throne for such a long time is a remarkable achievement, and to be almost as active as ever in carrying out royal duties 60 years on even more so; events such as the service of celebration at Westminster Abbey, and the many Coronation-related television and radio broadcasts, have provided an

This, the final indoor concert of the 2012 Edinburgh International Festival (the closing Fireworks Concert takes place under the Castle Rock in Princes Street Gardens), was bookended by possibly the loudest and quietest sounds in the festival.Charles Ives' The Unanswered Question opens with a delicate mist of pianissimo strings.

Prom 23 served up a menu of English music from the first half of the 20 century in all its variety, with impressionism by Delius, the lush strings of Vaughan Williams, heroic brass from Ireland, and jazzy, sophisticated excitement from Walton.The programme opened with a warmly affectionate performance of Vaughan Williams’ Fantasia on a Theme of Thomas Tallis.