Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Der Tod in Venedig

Sir David McVicars Inszenierung ist ein bemerkenswertes Psychogramm, das jede Note und jede Zeile des Werks ins richtige Licht setzt. Ein Muss nicht nur für Britten-Freunde.

Benjamin Brittens Tod in Venedig an der Deutschen Oper Berlin ist eine herausragende Neuproduktion von Graham Vick und Donald Runnicles.

Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.  

Carried by a handful of standout performances, Britten’s story of madness and infection comes into its own in 2021, in the Opéra National du Rhin's clever and inventive staging. 

Benjamin Britten's final opera hasn't been staged by The Royal Opera in over 25 years, but his setting of Thomas Mann's Death in Venice receives a great new production by Sir David McVicar. 

Britten’s final opera given an impressively atmospheric staging, ideally conceived for the small venue

Death in Venice makes its première in Madrid with a rational and symbolic production by Willy Decker. 

Opera North's Death in Venice is another winner for the company in Britten's centenary year, originally directed by Yoshi Oida. Alan Oke is a successful, anguished Aschenbach.

Premièred in 1973, Death in Venice was Britten’s last opera and therefore his last chance to create a big starring role for his lifelong partner Peter Pears.

Britten’s Death in Venice suite, arranged by Steuart Bedford, is a continuous piece of music taken from the opera. As such, it is an extremely scenic work and even though it has its moments, I could not help but long for the actual opera rather than these excerpts (thankfully it will be performed by ENO later this year).

Rotterdam’s annual Gergiev Festival is a very popular classical festival in The Netherlands and with good reason, their programs are always excellent and the appearance of former chief conductor of the Rotterdam Philharmonic Valery Gergiev usually attracts big crowds.

A split-level stage featuring an ornate stairwell and scaffolding was the setting for this the tenth Jette Parker Young Artists’ Summer Performance. Entitled ‘Veneziana’, the specially compiled programme embodied the visions of Venice dreamt by Rossini, Donizetti, Britten and Offenbach in six sets of Opera Scenes.