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With works by Carter, Reich, Taira and Bartók, the young percussion trio gives us a fine survey of the past century’s musical variety.

“I want to be able to hear the process happening throughout the sounding music”, Steve Reich wrote in his 1968 essay Music as a Gradual Process. His music of the 1960s, from tape pieces such as It’s Gonna Rain to instrumental works like Piano Phase, employed phasing and looping techniques. These compositions are some of the first examples of both process music and downtown musical minimalism.

The UBS Soundscapes: Eclectica concert at LSO St. Luke's on the 12th October, billed as a celebration of Steve Reich's 75th birthday, was indeed a celebration, and also a tribute. The performance, by a chamber group of string, percussion and keyboard players from the London Symphony Orchestra, was infused with warm affection for the music.