Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | The Tempest, Symphonic Fantasia in F minor, Op.18

Gustavo Gimeno überzeugt als ausdrucksstarker Dirigent, während man von Eva-Maria Westbroeks begnadeter Musikalität aus der Realität entführt wird.

Andrea Battistoni conducts the Tokyo Philharmonic in Tchaikovsky's three Shakespeare-inspired works in a single programme. In between, cellist Haruma Sato excels in the original version of the Rococo Variations.

Daredevil piano playing and luscious Stravinsky at the 47th Istanbul Music Festival.

Dernier concert de la saison symphonique de l’Orchestre Pau Pays Béarn, avec un programme de musique russe symphonique et poétique empruntée à Modeste Moussorgski, Piotr IlitchTchaïkovski et Igor Stravinsky.

A varied concert of new music by Anthony Payne, Max Bruch's 1st Violin Concerto with Ray Chen, a Tchaikovsky rarity and a rousing early work by Vaughan Williams

CBSO sparkled in the all Russian programme;  Tchaikovsky' Fifth and the Glazunov Violin Concerto brilliantly delivered, full of oustanding individual performances.

A rare sighting of Muti and Mahler had stellar results in the bucolic Fourth Symphony, prefaced by two of Tchaikovsky's Shakespearean tone poems.

Alisa Weilerstein's intense, intimate, personal rendering of the Elgar Cello Concerto is the highlight of an otherwise lacklustre concert from Pablo Heras-Casado and the LSO.

Collective understanding reached its apogee in the final movement. So deep was Dudamel's introspection that he had quite possibly forgotten that the audience was there.

Des bravos fusaient déjà à l’entrée de Muti sur scène. Plongés dans un Oiseau de feu légendaire, fascinant, évident, puis littéralement soulevés par un bis patriotique chargé de sens et d'énergie, les spectateurs de Pleyel ne se remettront pas aisément de la venue du maestro.