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Die Zauberflöte (The Magic Flute)

Diese Veranstaltung fand in der Vergangenheit statt
Gran Teatre del Liceu: AuditorioumBarcelona, Cataluña, 08002, Spanien
Datum/Zeit in Madrid Zeitzone
Programm
Mozart, Wolfgang Amadeus (1756-1791)Die ZauberflöteLibretto von Emanuel Schikaneder
Darsteller
Gran Teatre del Liceu
Paolo BortolameolliDirigentJun 27, Jul 01
Gustavo DudamelDirigent
Sir David McVicarRegisseur
John MacfarlaneBühnenbild, Kostüme
Paule ConstableLicht
Orquesta Sinfónica del Gran Teatre del Liceu
Coro del Gran Teatre del Liceu
Jean KalmanLicht
Angelo SmimmoWiederaufnahmeleitung
Javier CamarenaTenorTaminoJun 20, 22, 26, 27, Jul 01
Julien BehrTenorTaminoJun 21, 25, 28, 30, Jul 02
Lucy CroweSopranPaminaJun 20, 22, 26, 27, Jul 01
Nuria RialSopranPaminaJun 21, 25, 28, 30, Jul 02
Kathryn LewekSopranKönigin der NachtJun 20, 22, 26, 27, Jul 01
Sara BlanchSopranKönigin der NachtJun 21, 25, 28, 30, Jul 02
Thomas OliemansBaritonPapagenoJun 20, 22, 26, 27, Jul 01
Joan Martín-RoyoBassPapagenoJun 21, 25, 28, 30, Jul 02
Stephen MillingBassSarastroJun 20, 22, 26, 27, Jul 01
John RelyeaBassbaritonSarastroJun 21, 25, 28, 30, Jul 02
David LagaresBariton, BassZweiter Geharnischter, Zweiter Priester
Berna PerlesSopranErste Dame
Gemma Coma-AlabertMezzosopranZweite Dame
Marta InfanteMezzosopranDritte Dame
Matthias GoerneBaritonSprecher
Serena SáenzSopranPapagena
Roger PadullésTenorMonostatos
Albert CasalsTenorErster Priester
Conxita GarciaChorleitung

Production: Royal Opera House

A children’s story for some, a profound meditation on life and death for others, Mozart’s opera is a referential work, but it is also a medium where the composer expressed his deep spiritual beliefs. Thus, in this work he brings together the main concerns of the Enlightenment and the 18th century: education, morality, religion, culture, nature...

If there is one production that has marked a generation of European spectators, it is undoubtedly this one, by director David McVicar. Its spectacular nature transports us to a fantastic world of dancing animals, flying machines and starry skies. A fascinating setting to host, in a manner both humorous and stern, the fantastic story of the quest of Prince Tamino and his beloved Pamina, with two antagonistic powers in contention: Sarastro (light and truth) and the Queen of the Night (darkness and deception). The production reveals the enigmas of a score encompassing the entire universe. An immediate success since its premiere, at the heart of this charming tale there is a defiled paradise of wisdom, knowledge, constancy of universal values and virtue that needs to be rebalanced.

The presence of Gustavo Dudamel in the highly anticipated debut of this opera will highlight a work full of contradictory binomials: day/night, male/female, rationality/superstition or emotion/logic, drawing us into the infinite details of this colossal kaleidoscopic score, making these sessions historic. On this occasion, the grand final solo represents the triumph of truth over abuse.

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