| Samstag 17 April 2027 | 19:00 |
| Dienstag 20 April 2027 | 19:00 |
| Donnerstag 22 April 2027 | 19:00 |
| Sonntag 25 April 2027 | 19:00 |
| Dienstag 27 April 2027 | 19:00 |
| Donnerstag 29 April 2027 | 19:00 |
| Sonntag 02 Mai 2027 | 11:00 |
| Hungarian State Opera | ||
| Kálmán Szennai | Musikalische Leitung | |
| Máté Szabó | Regie | |
| Csaba Antal | Bühnenbild | |
| Anni Füzér | Kostüme | |
| Csaba Szilárdi | Licht | |
| Hungarian State Opera Orchestra | ||
| Hungarian State Opera Chorus | ||
| Zsombor Czeglédi | Regie | |
| Enikő Perczel | Dramaturgie | |
| Gergely Csanád Kováts | Choreographie | |
| Gábor Csiki | Chorleitung | |
| Klára Kolonits | Sopran | Maria Stuarda |
| Gabriella Balga | Mezzosopran | Elisabetta |
| Edgardo Rocha | Tenor | Earl of Leicester |
| István Kovács | Bass | Talbot |
| Csaba Szegedi | Bariton | Cecil |
| Melinda Heiter | Mezzosopran | Anna |
Many of Bergamo-born Gaetano Donizetti's operas have already been staged in Budapest. However, his great operas of historical dramas have so far been neglected, with the exception of Anna Bolena, which has not been performed in decades, either. It was therefore an important moment in 2025 that for the first time ever, Maria Stuarda was presented at the Hungarian State Opera. The bel canto composer, whose works are characteristic of endless and endlessly beautiful melodies, based his opera on Friedrich Schiller's drama of the same title about the last days of the life of the tragic Queen of Scots. The production was staged by Máté Szabó, a director familiar with Donizetti’s world, approaching the work from a psychological perspective.
Rezensionen von Maria Stuarda inszeniert von Máté Szabó

