| Sonntag 18 April 2027 | 18:00 |
| Samstag 24 April 2027 | 19:00 |
| Dienstag 27 April 2027 | 19:00 |
| Dienstag 11 Mai 2027 | 19:00 |
| Samstag 15 Mai 2027 | 19:00 |
| Samstag 29 Mai 2027 | 19:00 |
| Montag 05 Juli 2027 | 19:00 |
| Bellini, Vincenzo (1801-1835) | Norma |
| Staatsoper Stuttgart | |||
| Vlad Iftinca | Musikalische Leitung | ||
| Jossi Wieler | Regie | ||
| Anna Viebrock | Bühnenbild, Kostüme | ||
| Staatsorchester Stuttgart | |||
| Sergio Morabito | Regie | ||
| Staatsopernchor Stuttgart | |||
| Bernhard Moncado | Chorleitung | ||
| Kyungho Kim | Tenor | Pollione | |
| Diana Haller | Mezzosopran | Norma | |
| Laura Orueta | Mezzosopran | Adalgisa | |
| Goran Jurić | Bass | Oroveso | |
| Ilia Skvirskii | Tenor | Flavio | 2027 Apr 24, 27, Mai 11, 15, 29, Jul 05 |
To those who turned a deaf ear to Bellini’s bel canto drama, hearing in it nothing more than “ordinary Italian clanging,” the young Wagner countered that he knew of no comparable “portrait of the soul to that of this wild Gallic seeress, whom we see passing through all the phases of passion.” And indeed: With the priestess who serves her gods and therefore wishes to remain chaste, who as a spiritual authority provides guidance to her subjugated people while at the same time standing by her love for one of the occupiers, even as he abandons her, Bellini portrays the stirring double life of a woman capable of love to the extreme — embodied by Kammersängerin Diana Haller in the revival of Jossi Wieler and Sergio Morabito’s acclaimed production.
In Italian with German supertitles
An introduction will take place in the first-tier foyer 45 minutes before the performance begins.
Rezensionen von Norma inszeniert von Jossi Wieler

