| dimanche 18 avril 2027 | 18:00 |
| samedi 24 avril 2027 | 19:00 |
| mardi 27 avril 2027 | 19:00 |
| mardi 11 mai 2027 | 19:00 |
| samedi 15 mai 2027 | 19:00 |
| samedi 29 mai 2027 | 19:00 |
| lundi 05 juillet 2027 | 19:00 |
| Bellini, Vincenzo (1801-1835) | Norma |
| Staatsoper Stuttgart | |||
| Vlad Iftinca | Direction | ||
| Jossi Wieler | Mise en scène | ||
| Anna Viebrock | Décors, Costumes | ||
| Staatsorchester Stuttgart | |||
| Sergio Morabito | Mise en scène | ||
| Staatsopernchor Stuttgart | |||
| Bernhard Moncado | Chef de chœur | ||
| Kyungho Kim | Ténor | Pollione | |
| Diana Haller | Mezzo-soprano | Norma | |
| Laura Orueta | Mezzo-soprano | Adalgisa | |
| Goran Jurić | Basse | Oroveso | |
| Ilia Skvirskii | Ténor | Flavio | 2027 avril 24, 27, mai 11, 15, 29, juil. 05 |
To those who turned a deaf ear to Bellini’s bel canto drama, hearing in it nothing more than “ordinary Italian clanging,” the young Wagner countered that he knew of no comparable “portrait of the soul to that of this wild Gallic seeress, whom we see passing through all the phases of passion.” And indeed: With the priestess who serves her gods and therefore wishes to remain chaste, who as a spiritual authority provides guidance to her subjugated people while at the same time standing by her love for one of the occupiers, even as he abandons her, Bellini portrays the stirring double life of a woman capable of love to the extreme — embodied by Kammersängerin Diana Haller in the revival of Jossi Wieler and Sergio Morabito’s acclaimed production.
In Italian with German supertitles
An introduction will take place in the first-tier foyer 45 minutes before the performance begins.
Norma par Jossi Wieler, nos comptes-rendus

