| Dienstag 18 Mai 2027 | 19:00 |
| Mittwoch 19 Mai 2027 | 19:00 |
| Sonntag 30 Mai 2027 | 16:00 |
| Vanemuine Ballet | |||
| Aleksandr Bražnik | Musikalische Leitung | 2027 Mai 18, 30 | |
| Martin Sildos | Musikalische Leitung, Chorleitung | 2027 Mai 19 | |
| Giorgio Madia | Regie, Licht | ||
| Domenico Franchi | Bühnenbild, Kostüme | ||
| Vanemuine Symphony Orchestra | |||
| Vanemuine Opera Chorus | |||
| Kristi Jagodin | Chorleitung | ||
| Toomas Kaldaru | Chorleitung | ||
| Annely Peebo | Mezzosopran | Sylva Varescu | 2027 Mai 18, 19 |
| Karmen Puis | Sopran | Sylva Varescu | 2027 Mai 30 |
| Ursula Roomere | Sopran | Comtesse Stasi | |
| Simo Breede | Bariton | Baron Boni Káncsiánu | |
| Aare Saal | Bariton | Feri von Kerekes | |
| Merle Jalakas | Alt | Anhilte | |
| Märt Jakobson | Bass | Leopold Maria |
The passionate and complicated love story of Count Edwin and the cabaret singer Sylva has captivated many generations. The story centres on two lovers whose marriage is prevented by the pitfalls of social standing. Edwin’s engagement with Countess Stasi is already announced and everything seems lost but then… We love fairytales with happy endings, don’t we?
Beneath the sequins, champagne, and Csárdás rhythms, in Emmerich Kálmán’s enduring operetta Sylva (Die Csárdásfürstin), lies a tale of transformation, exposing themes like class, personal freedom, and societal hypocrisy. Sylva Varescu is no mere cabaret star—she’s a force of nature: independent, dignified, and unapologetically herself.
