| Verdi, Giuseppe (1813-1901) | Otello | Libretto von Arrigo Boito |
| Hungarian State Opera | ||
| Gergely Madaras | Musikalische Leitung | |
| Stefano Poda | Regie | |
| Hungarian State Opera Chorus | ||
| Budapest Philharmonic Orchestra | ||
| Rafael Rojas | Tenor | Otello |
| Andrea Rost | Sopran | Desdemona |
| Mihály Kálmándy | Bariton | Iago |
| Judit Németh | Mezzosopran | Emilia |
| Gergely Boncsér | Tenor | Cassio |
| Gergely Ujvári | Tenor | Roderigo |
| Ferenc Cserhalmi | Bass | Lodovico |
| Sándor Egri | Bass | Montano |
| Géza Zsigmond | Bass | Herald |
After retiring at age 58, Verdi would write no new operas for the next 16 years. It took a pivotal supper in Milan and the persistence of music publisher Giulio Ricordi to entice the Maestro to set about composing a new work, which he would only refer to as the “chocolate project”.
The Moor Otello is a soldier, a general and a loving husband who, despite all of his accomplishments, is not accepted by the people of Venice: he remains the eternal "black" foreigner. The vulnerability of the stranger seeking to fit into society is something that is easy for false friends to exploit – as is his jealousy.
Otello is a masterpiece, an exceptional work of creative genius in which the composer sets Shakespeare's tragedy to the music of his own unmistakably Verdian voice.

