Verdi, Giuseppe (1813-1901) | Otello | Libreto de Arrigo Boito |
Hungarian State Opera | ||
Gergely Madaras | Dirección | |
Stefano Poda | Dirección de escena | |
Hungarian State Opera Chorus | ||
Budapest Philharmonic Orchestra | ||
Rafael Rojas | Tenor | Otello |
Andrea Rost | Soprano | Desdemona |
Mihály Kálmándy | Barítono | Iago |
Judit Németh | Mezzosoprano | Emilia |
Gergely Boncsér | Tenor | Cassio |
Gergely Ujvári | Tenor | Roderigo |
Ferenc Cserhalmi | Bajo | Lodovico |
Sándor Egri | Bajo | Montano |
Géza Zsigmond | Bajo | Herald |
After retiring at age 58, Verdi would write no new operas for the next 16 years. It took a pivotal supper in Milan and the persistence of music publisher Giulio Ricordi to entice the Maestro to set about composing a new work, which he would only refer to as the “chocolate project”.
The Moor Otello is a soldier, a general and a loving husband who, despite all of his accomplishments, is not accepted by the people of Venice: he remains the eternal "black" foreigner. The vulnerability of the stranger seeking to fit into society is something that is easy for false friends to exploit – as is his jealousy.
Otello is a masterpiece, an exceptional work of creative genius in which the composer sets Shakespeare's tragedy to the music of his own unmistakably Verdian voice.