Verdi, Giuseppe (1813-1901) | Otello | Livret de Arrigo Boito |
Opéra d'État hongrois | ||
Gergely Madaras | Direction | |
Stefano Poda | Mise en scène | |
Chœurs de l'Opéra d'État hongrois | ||
Budapest Philharmonic Orchestra | ||
Rafael Rojas | Ténor | Otello |
Andrea Rost | Soprano | Desdemona |
Mihály Kálmándy | Baryton | Iago |
Judit Németh | Mezzo-soprano | Emilia |
Gergely Boncsér | Ténor | Cassio |
Gergely Ujvári | Ténor | Roderigo |
Ferenc Cserhalmi | Basse | Lodovico |
Sándor Egri | Basse | Montano |
Géza Zsigmond | Basse | Herald |
After retiring at age 58, Verdi would write no new operas for the next 16 years. It took a pivotal supper in Milan and the persistence of music publisher Giulio Ricordi to entice the Maestro to set about composing a new work, which he would only refer to as the “chocolate project”.
The Moor Otello is a soldier, a general and a loving husband who, despite all of his accomplishments, is not accepted by the people of Venice: he remains the eternal "black" foreigner. The vulnerability of the stranger seeking to fit into society is something that is easy for false friends to exploit – as is his jealousy.
Otello is a masterpiece, an exceptional work of creative genius in which the composer sets Shakespeare's tragedy to the music of his own unmistakably Verdian voice.