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Station Paradiso

Staatsoper StuttgartUpper Schlossgarten 6, Stuttgart, Baden-Württemberg, 70173, Deutschland
Datum/Zeit in Berlin Zeitzone
Sonntag 29 November 202618:00
Mittwoch 02 Dezember 202619:30
Donnerstag 10 Dezember 202619:30
Freitag 18 Dezember 202619:00
Programm
Glojnarić, Sara (b. 1991)Station ParadisoLibretto von Tanja Šljivar
Darsteller
Staatsoper Stuttgart
Peter RundelMusikalische Leitung
Anika RutkofskyRegie
Christina SchmittBühnenbild
Adrian StapfKostüme
Volker von SchwanenflügelLicht
Staatsorchester Stuttgart
Manuela HartelVideo
Paul HauptmeierKlangregie
Martin ReckerKlangregie
Julia SchmittDramaturgie
Johanna MangoldDramaturgie
Janine GrellscheidChoreographie
Goran JurićBassBusfahrer
Josefin FeilerSopranBraut
Andrew BogardBassYugo-Vater
Diana HallerMezzosopranYugo-Tochter
Joseph TancrediTenorNeapolitaner
Ziad NehmeTenorTürkischer Vater
Fanie AntonelouSopranTürkische Tochter
Stine Marie FischerMezzosopranSüditalienische Mutter
Martina MikelićMezzosopranSüditalienische Tochter
Carole WilsonMezzosopranTante Maria Sängerin
Loretta PettiMezzosopranTante Maria Köchin

Station Paradiso is an opera about the town of Stuttgart and the people who live here. It tells the stories of nine people who set off together on a road trip heading south. The price for the journey: a song. Nostalgia and dreams, tragedies and comic situations, rituals and linguistic diversity – it all comes together in a poetic, surreal mixtape opera. Croatian composer Sara Glojnarić met people who all have settled in the Stuttgart area since the 1950s – and she listened to them. The result is a cross-generational songbook of the City. Can an old, dusted-off LP sleeve bring memories to life across countries and generations? Station Paradiso seeks a sense of feeling at home in all these stories that are set between the Stuttgart bus station, Anatolia and Naples. Stories that have never before been told on an opera stage.

In Bosnian, Croatian, Serbian, Italian, Turkish and German with German and English surtitles

There will be a German introduction 45 minutes before the performance at the Upper Foyer (I. Rang).

© Matthias Baus
© Matthias Baus