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Station Paradiso

Staatsoper StuttgartUpper Schlossgarten 6, Stuttgart, Baden-Württemberg, 70173, Allemagne
Dates/horaires selon le fuseau horaire de Berlin
dimanche 29 novembre 202618:00
mercredi 02 décembre 202619:30
jeudi 10 décembre 202619:30
vendredi 18 décembre 202619:00
Programme
Glojnarić, Sara (n. 1991)Station ParadisoLivret de Tanja Šljivar
Artistes
Staatsoper Stuttgart
Peter RundelDirection
Anika RutkofskyMise en scène
Christina SchmittDécors
Adrian StapfCostumes
Volker von SchwanenflügelLumières
Staatsorchester Stuttgart
Manuela HartelVidéaste
Paul HauptmeierSon
Martin ReckerSon
Julia SchmittDramaturgie
Johanna MangoldDramaturgie
Janine GrellscheidChorégraphie
Goran JurićBasseBusfahrer
Josefin FeilerSopranoBraut
Andrew BogardBasseYugo-Vater
Diana HallerMezzo-sopranoYugo-Tochter
Joseph TancrediTénorNeapolitaner
Ziad NehmeTénorTürkischer Vater
Fanie AntonelouSopranoTürkische Tochter
Stine Marie FischerMezzo-sopranoSüditalienische Mutter
Martina MikelićMezzo-sopranoSüditalienische Tochter
Carole WilsonMezzo-sopranoTante Maria Sängerin
Loretta PettiMezzo-sopranoTante Maria Köchin

Station Paradiso is an opera about the town of Stuttgart and the people who live here. It tells the stories of nine people who set off together on a road trip heading south. The price for the journey: a song. Nostalgia and dreams, tragedies and comic situations, rituals and linguistic diversity – it all comes together in a poetic, surreal mixtape opera. Croatian composer Sara Glojnarić met people who all have settled in the Stuttgart area since the 1950s – and she listened to them. The result is a cross-generational songbook of the City. Can an old, dusted-off LP sleeve bring memories to life across countries and generations? Station Paradiso seeks a sense of feeling at home in all these stories that are set between the Stuttgart bus station, Anatolia and Naples. Stories that have never before been told on an opera stage.

In Bosnian, Croatian, Serbian, Italian, Turkish and German with German and English surtitles

There will be a German introduction 45 minutes before the performance at the Upper Foyer (I. Rang).

© Matthias Baus
© Matthias Baus