Neue Kritikenmehr...
Ein Pakt für Berlioz: Les Siècles' La damnation de Faust in Bonn
Während sich Les Siècles wieder als lautmalerisch vortrefflicher Tonsetzer zeigt, wird dem Chor leider zu wenig Berlioz-Mephisto-Drama eingeimpft.
Painting with words: Anna Caterina Antonacci at Wigmore Hall
Antonacci brings a vibrant splash of colour to a rainy day in London in works by Respighi, Boulanger, Britten, and Poulenc
David McVicar envoûte la Médée du Grand Théâtre de Genève
Genève peut s’enorgueillir de présenter une Médée de Charpentier de haute tenue sous la direction musicale de Leonardo García Alarcón et dans une mise en scène fluide de David McVicar.
French flair: Pure joy from Enrique Mazzola and the LPO
Each of the works are particularly radiant in themselves, but made even more so as they were presented here.
On the female condition: two 20th-century operas in Turin
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.
A landmark Gloriana at the Teatro Real
Ivor Bolton and David McVicar have teamed up to create an unapologetically Brittenian Gloriana, with Anna Caterina Antonacci at the top of a great cast
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CagliariLa Ciociara (Two Women)
Tutino: La Ciociara (Two Women)
Giuseppe Finzi; Francesca Zambello; Teatro Lirico di Cagliari; Peter J. Davison; Jess Goldstein; Lavinia Bini; Anna Caterina Antonacci