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Painting with words: Anna Caterina Antonacci at Wigmore Hall
Antonacci brings a vibrant splash of colour to a rainy day in London in works by Respighi, Boulanger, Britten, and Poulenc
French flair: Pure joy from Enrique Mazzola and the LPO
Each of the works are particularly radiant in themselves, but made even more so as they were presented here.
On the female condition: two 20th-century operas in Turin
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.
A landmark Gloriana at the Teatro Real
Ivor Bolton and David McVicar have teamed up to create an unapologetically Brittenian Gloriana, with Anna Caterina Antonacci at the top of a great cast
Intensity-laden La voix-Cav diptych in Bologna
One wonders why Emma Dante's concept, which explores the plight of women crushed by romantic catastrophes, is not done more often.
Antonacci triumphs in La Voix humaine
Antonacci's voice shines even in the art songs that pad out the evening, but it's Poulenc's one-act opera that gives San Francisco Opera Lab's current offering dramatic weight (and makes it worth seeing).
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CagliariLa Ciociara (Two Women)
Tutino: La Ciociara (Two Women)
Giuseppe Finzi; Francesca Zambello; Teatro Lirico di Cagliari; Peter J. Davison; Jess Goldstein; Lavinia Bini; Anna Caterina Antonacci