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Da capo für die Macbeth-Premierenbesetzung in Wien
Tatiana Serjan sticht in einer ansonst soliden Macbeth-Inszenierug von Christian Räth hervor.
Max und die schrägen Vögel: Der Freischütz an der Wiener Staatsoper
Christian Räth präsentiert eine enttäuschende Inszenierung von Webers romantischer Oper voller übertriebener Klischees.
A lush, provocative Egyptian Helen at Bard Summerscape
At Bard College, Christian Räth and Leonard Botstein make an excellent case for Strauss' neglected opera, Die ägyptische Helena.
Strauss' Silent Woman makes a grand noise at Bard
Bard’s always courageous Music Director, Leon Botstein, never one to shy away from a challenge, presents Strauss' comedy uncut.
Defiant Domingo's Macbeth wins them over at the Staatsoper
At 78, Domingo rages against the ravages of time, and – certainly in this production – shows the next generation a thing or two about stagecraft.
Strong singing as The Met revives Massenet’s Manon
Laurent Pelly’s darkly stylish production of Manon is revived with a strong cast of singers. In the title role, Lisette Oropesa demonstrated elegant and incisive singing, while Michael Fabiano was her virile and powerful partner.
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Annandale-on-HudsonThe Miracle of Heliane
Korngold: Das Wunder der Heliane
Leon Botstein; Christian Räth; Esther Bialas; Aušrinė Stundytė; Alfred Walker