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ExeterStill Pointless – BalletBoyz at 25

Verschiedene: Mixed Programme
Christopher Wheeldon; Iván Pérez; Maxine Doyle; Liam Scarlett; Xie Xin; Javier de Frutos; Russell Maliphant; BalletBoyz
GuildfordStill Pointless – BalletBoyz at 25

Verschiedene: Mixed Programme
Christopher Wheeldon; Iván Pérez; Maxine Doyle; Liam Scarlett; Xie Xin; Javier de Frutos; Russell Maliphant; BalletBoyz
BrightonStill Pointless – BalletBoyz at 25

Verschiedene: Mixed Programme
Christopher Wheeldon; Iván Pérez; Maxine Doyle; Liam Scarlett; Xie Xin; Javier de Frutos; Russell Maliphant; BalletBoyz
WienBallet Gala 2026

Rachmaninow, Bosso, Tschaikowsky
Sir Frederick Ashton; Christopher Wheeldon; George Balanchine; Wiener Staatsballett; David Coleman; Wiener Staatsopernorchester
PooleStill Pointless – BalletBoyz at 25

Verschiedene: Mixed Programme
Christopher Wheeldon; Iván Pérez; Maxine Doyle; Liam Scarlett; Xie Xin; Javier de Frutos; Russell Maliphant; BalletBoyz
LeicesterStill Pointless – BalletBoyz at 25

Verschiedene: Mixed Programme
Christopher Wheeldon; Iván Pérez; Maxine Doyle; Liam Scarlett; Xie Xin; Javier de Frutos; Russell Maliphant; BalletBoyz
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BalletBoyz: Still Pointless at 25 and still making it work!
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The BalletBoyz present an entertaining programme of old and new works spanning the last 25 years – with stellar performances.
Contemporary escapism at New York City Ballet
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A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.
Atlanta Ballet shines in a mixed contemporary program
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Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.
NYCB: Ratmansky’s The Naked King is not satire, but good fun
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New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.
Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille
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Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.
The Royal Ballet’s Like Water for Chocolate is sumptuous but complex
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The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.
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Oral history project Voices of British Ballet launches new podcast
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Encompassing over 500 interviews with people involved in the dance world, Voices of British Ballet aims to preserve important oral testimony from people instrumental to the development of ballet in the UK.
Alles eine Frage der Balance: die Bachtrack Klassik-Statistik 2024
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Welche Veränderungen gab es in der Welt der klassischen Musik im Jahr 2024? Setzen sich bestehende Trends fort oder verlangsamen sie sich? Mit mehr als 30.000 Einträgen in 48 Ländern bietet Bachtrack eine wertvolle Momentaufnahme der Welt der klassischen Musik.
状況は不透明:Bachtrackによる2024年のクラシック音楽の統計
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2024年のクラシック音楽界にはどのような変化があっただろうか? これまでの傾向は維持されただろうか、それとも下火になっただろうか? 48ヶ国、30,000を超える掲載件数にもとづき、Bachtrackはクラシック音楽界の有益な見取り図をお届けする。
