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NaplesAdriana Lecouvreur
Cilea: Adriana Lecouvreur
Pinchas Steinberg; Davide Livermore; Teatro di San Carlo; Giò Forma; Gianluca Falaschi; Nicolas Bovey; Orchestra del Teatro di San Carlo
NaplesTurandot
Puccini: Turandot
Vincenzo Milletarì; Vasily Barkhatov; Teatro di San Carlo; Zinovy Margolin; Galya Solodovnikova; Alexander Sivaev; Orchestra del Teatro di San Carlo
NaplesAidaKonzertante Aufführung
Verdi: Aida
Riccardo Frizza; Teatro di San Carlo; Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo; Anna Netrebko; Jonas Kaufmann
NaplesLa Cenerentola
Rossini: La Cenerentola (Aschenputtel)
Speranza Scappucci; Damiano Michieletto; Teatro di San Carlo; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestra del Teatro di San Carlo
NaplesIl giovane Verdi
Verdi
Orchestra del Teatro di San Carlo; Fabrizio Cassi; Coro del Teatro di San Carlo
Neue Kritikenmehr...
Werther revived at San Carlo: an anatomy of emotional isolation
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Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.
Rosa Feola’s Lucia rescues a San Carlo production showing its age
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Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.
Laurent Pelly’s Falstaff passes the Naples test with flying colours
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The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.
Ludovic Tézier delivers a noble Nabucco in Naples
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Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.
Ennio Morricone’s only opera, Partenope, finally premiered in Naples
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Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.
San Carlo’s Medea a clash of worlds in a neoclassical framework
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A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
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NaplesLa GiocondaNeuinszenierung
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Ponchielli: La Gioconda
Pinchas Steinberg; Romain Gilbert; Teatro di San Carlo; Étienne Pluss; Christian Lacroix; Valerio Tiberi; Orchestra del Teatro di San Carlo
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Edward Gardner in fracas with Teatro San Carlo, claiming “mafia” links
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Describing the chorus of Teatro San Carlo being “made up of two rival mafia families”, the British conductor has drawn the ire of the Mayor of Naples.