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Performer: Coro del Teatro di San Carlo

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NaplesMaderna, Grimaldi, Shostakovich

Maderna, Grimaldi, Shostakovich
Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo

NaplesWinter Journey

Einaudi: Winter Journey
Carlo Tenan; Roberto Andò; Teatro di San Carlo; Gianni Carluccio; Coro del Teatro di San Carlo

NaplesDie Zauberflöte (Il flauto magico)

Mozart: Die Zauberflöte (The Magic Flute)
Asher Fisch; Roberto Andò; Teatro di San Carlo; Maurizio Agostini; Giovanni Carluccio; Nanà Cecchi; Goran Jurić

NaplesL'Amour des trois oranges (L'amore delle tre melarance)

Prokofiev: L’amour des trois oranges (The Love for Three Oranges)
Juraj Valčuha; Alessandro Talevi; Teatro di San Carlo; Justin Arienti; Manuel Pedretti; Goran Jurić; Bogdan Volkov

NaplesI puritaniNew production

Bellini: I puritani
Gabriele Ferro; Emilio Sagi; Teatro di San Carlo; Daniel Bianco; Pepa Ojanguren; Francesco Demuro; Francesco Castoro
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María José Siri shines as Norma in Naples

María José Siri (Norma) and Silvia Tro Santafé (Adalgisa) © Luciano Romano
Lorenzo Amato penetrates deep into the recesses of Bellini's opera. 
****1
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In Naples, Tosca lives, loves and dies in the land of nowhere

Carmen Giannattasio (Tosca) and Amartuvshin Enkhbat (Scarpia) © Mario Wurzburger | Teatro di San Carlo
Film director Edoardo De Angelis sets his Tosca in a devastated, dystopiian suburb which mirrors and emphasises the opera's social degradation and immoral elements.
****1
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The Queen of Spades plays her cards right in Naples

Misha Didyk (Hermann) and Anna Nechaeva (Lisa) © Luciano Romano e Francesco Squeglia
Willy Decker does not try to make the structure of the plot any clearer, mainly concentrating on the deeper meaning of the work. The cast was excellent.
*****
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Rossini's Ermione returns to its birthplace in Naples

Angela Meade (Ermione) © Francesco Squeglia
A bland staging: at the end what really emerged was Rossini’s glorious music, its intelligent construction and perfect beauty.
***11
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A solid Traviata closes the San Carlo season in Naples

Maria Mudryak (Violetta) © Francseco Squeglia
A production apt for audiences who prefer a traditional, intimate staging of the most often performed of all operatic works.
***11
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