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A vocally strong Lulu in Vienna
Vienna staged the first three-act performance of Lulu with Willy Decker adding to his 2000 production, with excellent singing contributing to its success.
Marlis Petersen's Lulu at the Met
In addition to incorporating twelve-tone rows for each character and within larger musical units like canons and chorales, the entirety of the opera itself is palindromic in structure, with performers whose characters died gruesome deaths during the first act returning as new characters in the third.
Paper Doll: Kentridge screens an elusive Lulu
The child-woman Lulu is a reflective receptacle for desire in Dutch National Opera’s extraordinary filmic production.