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ParisDon GiovanniNeuinszenierung
Mozart: Don Giovanni
Finnegan Downie Dear; Louisa Proske; Opéra national de Paris; Stephanie Childress; Christof Hetzer; Kaye Voyce; Valerio Tiberi
BarcelonaThe Exterminating Angel
Adès: The Exterminating Angel
Thomas Adès; Calixto Bieito; Gran Teatre del Liceu; Anna-Sofia Kirsch; Ingo Krügler; Reinhard Traub; Orquesta Sinfónica del Gran Teatre del Liceu
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Stefan Herheims Rheingold an der Deutschen Oper Berlin
Der langersehnte Herheim-Ring kann nun endlich mit einem aufschlussreichen und spannend erzählten Rheingold beginnen.
Gipfel der Opernkunst: Albina Shagimuratova als Semiramide
Die russische Sopranistin weiß das Münchner Publikum vom ersten bis zum letzten Ton in der Wiederaufnahme von David Aldens Inszenierung zu fesseln.
Venables’ 4.48 Psychosis revived by The Royal Opera
A strong cast led by Jacquelyn Stucker revive Philip Venables’ convincing operatic take on playwright Sarah Kane's final testament.
Innocence: Saariaho’s final opera receives New York premiere
At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
Handel’s Ariodante returns home to Covent Garden
Jetske Mijnssen’s house debut sees Handel’s opera transposed to a modern-day palace, with Emily D'Angelo angelic in the title role.
Venables We Are the Lucky Ones is the time to be alive at DNO
Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation.
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ParisThe Exterminating AngelNeuinszenierung
Adès: The Exterminating Angel
Thomas Adès; Calixto Bieito; Opéra national de Paris; Courtney Lewis; Anna-Sofia Kirsch; Ingo Krügler; Reinhard Traub
Aix-en-ProvenceSamsonUraufführung
Rameau: Samson
Raphaël Pichon; Claus Guth; Étienne Pluss; Ursula Kudrna; Bertrand Couderc; Pygmalion
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Jacquelyn Stucker on building momentum and opera's digital challenge
The American soprano reflects on career steps at The Royal Opera and Deutsche Oper Berlin and considers the vital role of streaming and connecting with audiences in the current climate.