Performer: Jacquelyn Stucker

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace. 

Jetske Mijnssen’s house debut sees Handel’s opera transposed to a modern-day palace, with Emily D'Angelo angelic in the title role. 

Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation. 

The American soprano reflects on career steps at The Royal Opera and Deutsche Oper Berlin and considers the vital role of streaming and connecting with audiences in the current climate.