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PragueDie Zauberflöte (The Magic Flute)
Mozart: Die Zauberflöte
Jaroslav Kyzlink; Vladimír Morávek; Prague National Theatre Opera; Zdeněk Klauda; Miroslav Huptych; Tomáš Kypta; Prague National Theatre Orchestra
PragueThe Bartered Bride (Prodaná nevěsta)
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Smetana: Die verkaufte Braut
Jaroslav Kyzlink; Alice Nellis; Prague National Theatre Opera; David Švec; Matěj Cibulka; Kateřina Štefková
PragueLady Macbeth of the Mtsensk District
Schostakowitsch: Lady Macbeth von Mzensk
Hermann Bäumer; František Zahradníček; Prague National Theatre Opera; Martin Čičvák; Georges Vafias; Jan Dörner; Prague State Opera Orchestra
PragueChopin – Foerster – Mussorgsky
Chopin, Foerster, Aslamas, Mussorgsky
Eliška Minářová; Jan Hnyk; Jana Sýkorová; Anton Aslamas
PragueLa bohème
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Puccini: La bohème
Mino Marani; Ondřej Havelka; Prague State Opera; Martin Černý; Jana Zbořilová; Prague State Opera Orchestra; Prague State Opera Chorus
PragueThe Bartered Bride (Prodaná nevěsta)
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Smetana: Die verkaufte Braut
Jaroslav Kyzlink; Alice Nellis; Prague National Theatre Opera; David Švec; Matěj Cibulka; Kateřina Štefková
Neue Kritikenmehr...
Aušrinė Stundytė magnetic in Lille’s Makropulos Case
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Kornél Mundruczó brings the characters to life in Janáček’s drama of eternal youth; the brilliance of Dennis Russell Davies and the Orchestre National de Lille come close to overwhelming the proceedings.
Nabucco in Prague: handsome but over-ambitious
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Andriy Yurkevych leads a rousing musical performance, but this visually impressive Nabucco tries to hard to be relevant and misses the mark.
A muddled new Ariadne auf Naxos in Prague
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Fine vocal and musical performances can't overcome Sláva Daubnerová's staging which misses the mark.
A torrid Lady Macbeth in Prague
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Shostakovich's murderess comes to terrifying life in Martin Čičvák's smart, sensational production for the Prague State Opera.
Worthy revival of Kleider machen Leute never finds its footing
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Choreography isn't the only thing lacking in Alexander Zemlinsky's comic gem Kleider machen Leute.
Staging sorcery: Dvořák's Armida played straight in Wexford
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Dvořák’s final opera gets a rare staging outside its Czech homeland, at Wexford – the festival where dead operas return to life.