Bachtrack logo

Staging sorcery: Dvořák's Armida played straight in fine Wexford production

Jozef Benci (King Hydraot) and Jennifer Davis (Armida)
© Clive Barda | ArenaPAL
Jan Hynk (Petr), Gerard Schneider (Rinald) and Chorus of Wexford Festival Opera
© Clive Barda | ArenaPAL
Stanislav Kuflyuk (Ismen)
© Clive Barda | ArenaPAL
Jennifer Davis (Armida) and Gerard Schneider (Rinald)
© Clive Barda | ArenaPAL
Thomas Birch (Roger), Josef Kovačič (Ubald), Chris Mosz (Dudo) and Andrii Kharlamov (Gernand)
© Clive Barda | ArenaPAL
Laden, bitte warten...
Veranstaltung anzeigen
“Contemporary composers will now be re-reading their Tasso or Tolkein and commissioning Schörghofer”
Rezensierte Veranstaltung: National Opera House: O’Reilly Theatre, Wexford, am 23 Oktober 2022
Dvořák, Armida
Wexford Festival Opera
Norbert Baxa, Musikalische Leitung
Hartmut Schörghofer, Regie, Bühnenbild, Kostüme
DM Wood, Licht
Orchestra of Wexford Festival Opera
Chorus of Wexford Festival Opera
Raffaele Acquaviva, Video
Jozef Benci, King Hydraot of Damascus
Jennifer Davis, Armida
Gerard Schneider, Rinald
Stanislaw Kuflyuk, Ismen
Jan Hnyk, Petr
Rory Dunne, Bohumir
Seán Boylan, Muezin
Josef Moravec, Sven
Andrii Kharlamov, Gernand
Josef Kovačič, Ubald
Libuse Santorisova, Siren, Nymph
Chris Mosz, Dudo
Thomas Birch, Roger
Delius’ The Magic Fountain disappoints at Wexford
**111
Handel’s Deidamia a triumph for Wexford Festival Opera
*****
Spanish Civil War Trouvère opens Wexford Festival Opera
***11
Orpha Phelan delivers farcical Donizetti at the Wexford Festival Opera
****1
Stanford's hilarious The Critic proves a Wexford knockout
*****
Mascagni's Le maschere struggles to take flight in Wexford opener
***11
Weitere Kritiken...
Verwandte Artikel
Loading image...
Höchster Glanz: der komplette Herbert von Karajan
Loading image...
Elim Chan: vom Zauberlehrling zur Proms Queen
Loading image...
Alles eine Frage der Balance: die Bachtrack Klassik-Statistik 2024
Loading image...
Elena Stikhina über Salzburg, Tosca und die Realität des Sängerlebens
Roy Westbrook