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Performer: Joel Sorensen

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Ein lohnenswerter Opernmarathon in San Francisco

Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.
*****
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Puccini's “shabby little shocker” fails to shock in Toronto

Roland Wood (Scarpia) and Sinead Campbell-Wallace (Tosca) © Michael Cooper
Fourth time around Paul Curran’s production of Tosca at the Canadian Opera Company is workmanlike and well sung, but lacks the necessary dramatic edge to be truly memorable.
**111
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A Turandot to remember in San Francisco

Despite a strong vocal and orchestral performance, David Hockney's sets are still the main draw for San Francisco Opera's Turandot
****1
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A colorful Turandot opens the San Francisco Opera season

San Francisco Opera's Turandot is a feast for the eyes and ears, but the drama falls flat.
***11
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The Makropulos Case in San Francisco: it's about time

Despite the black and white palate, this Makropulos Case has plenty of color. Nadja Michael heads the cast with her fiery portrayal of Elina Makropulos, and conductor Mikahil Tatrnikov makes a triumphant San Francisco Opera debut in the pit.
****1
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SF Opera opens new season with Andrea Chénier

Andrea Chénier returns to San Francisco Opera after a long absence, in Sir David McVicar's realistic production. 
*****
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