The Makropulos Case in San Francisco: it's about time

Von Ilana Walder-Biesanz, 15 Oktober 2016

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Veranstaltung anzeigen

“Lithe and intense, with spiky blond hair and purposeful gait”

Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 14 Oktober 2016

Janáček, Die Sache Makropulos (Věc Makropulos)

San Francisco Opera

Mikhail Tatarnikov, Musikalische Leitung

Olivier Tambosi, Regie

Nadja Michael, Emilia Marty / Elina Makropoulos

Charles Workman, Albert Gregor

Dale Travis, Dr. Kolenatý

Joel Sorensen, Vítek

Stephen Powell, Baron Jaroslav Prus

Matthew O'Neill, Graf Hauk-Schendorf

Julie Adams, Kristina

Brenton Ryan, Janek

San Francisco Opera Orchestra

San Francisco Opera Chorus

Ein lohnenswerter Opernmarathon in San Francisco

Maria Nockin, 18th November

Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.

*****

Unmasking illusions: SF Opera’s Ballo mirrors life’s motley

Thomas May, 24th September

An excellent cast and smart, engaged direction make for an auspicious season launch in San Francisco Opera’s production of one of Verdi’s most sophisticated creations.

****1

San Francisco Opera's The Handmaid's Tale offers hope

Lois Silverstein, 14th September

John Fulljames directs a new production of Poul Ruders' uncompromising operatic take on Margaret Atwood’s celebrated novel.

****1

Antony and Cleopatra: Adams offers a Shakespeare speed-read

Mark Pullinger, 18th September

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

***11

San Francisco Opera offers a dark, powerful Rusalka

Edward Sava-Segal, 22nd June

Both vocally and instrumentally the performance was a high-class one

****1

Exquisite Handelian singing in San Francisco Opera's Orlando

Edward Sava-Segal, 21st June

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.

****1

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Ilana Walder-Biesanz

Ilana Walder-Biesanz is a product manager for Yahoo, a theatre and opera critic, and a classically trained mezzo-soprano. She explored theater and opera stagings as a Gates Scholar at Cambridge and as a Fulbright Scholar in Germany. She currently writes for Bachtrack, San Francisco Classical Voice, and Stark Insider. Twitter: @ilana_wb.