A colorful Turandot opens the San Francisco Opera season

Von Ilana Walder-Biesanz, 14 September 2017

Laden, bitte warten...

Veranstaltung anzeigen

“This was singing that deserved to be heard”

Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 12 September 2017

Puccini, Turandot

San Francisco Opera

Nicola Luisotti, Musikalische Leitung

Garnett Bruce, Regie

David Hockney, Bühnenbild

Ian Falconer, Kostüme

Martina Serafin, Turandot

Brian Jagde, Der unbekannte Prinz (Kalaf)

Toni Marie Palmertree, Liù

Raymond Aceto, Timur

Robert Brubaker, Kaiser Altoum

Joo Wan Kang, Ping

Julius Ahn, Pang

Joel Sorensen, Pong

Brad Walker, Mandarin

San Francisco Opera Chorus

San Francisco Opera Orchestra

Ein lohnenswerter Opernmarathon in San Francisco

Maria Nockin, 18th November

Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.

*****

Unmasking illusions: SF Opera’s Ballo mirrors life’s motley

Thomas May, 24th September

An excellent cast and smart, engaged direction make for an auspicious season launch in San Francisco Opera’s production of one of Verdi’s most sophisticated creations.

****1

San Francisco Opera's The Handmaid's Tale offers hope

Lois Silverstein, 14th September

John Fulljames directs a new production of Poul Ruders' uncompromising operatic take on Margaret Atwood’s celebrated novel.

****1

Antony and Cleopatra: Adams offers a Shakespeare speed-read

Mark Pullinger, 18th September

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

***11

San Francisco Opera offers a dark, powerful Rusalka

Edward Sava-Segal, 22nd June

Both vocally and instrumentally the performance was a high-class one

****1

Exquisite Handelian singing in San Francisco Opera's Orlando

Edward Sava-Segal, 21st June

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.

****1

Weitere Kritiken...

Ilana Walder-Biesanz

Ilana Walder-Biesanz is a product manager for Yahoo, a theatre and opera critic, and a classically trained mezzo-soprano. She explored theater and opera stagings as a Gates Scholar at Cambridge and as a Fulbright Scholar in Germany. She currently writes for Bachtrack, San Francisco Classical Voice, and Stark Insider. Twitter: @ilana_wb.