Neue Kritikenmehr...
Never judge an album by its cover: Last Days premieres at the ROH
Oliver Leith's opera is inspired by the death of Nirvana front man Kurt Cobain and it turns out to be a mesmerising, fulfilling creation.
Une princesse inconnue: Isouard's Cendrillon
Bampton’s “mission to rescue unjustly neglected classical period opera” is vindicated once again with a fresh, fun account of the near-lost original source for Rossini's La Cenerentola: Isouard's Cendrillon.
Green-eyed miracle: Salieri’s The School of Jealousy
Wet English summer weather may have driven Bampton's pacy revival of Salieri's wickedly funny La scuola de' gelosi indoors, but rain could not dampen the sheer fun ahead.
Star of the future: Haobin Wang entertains as Gianni Schicchi
Royal Academy Opera's thoroughly competent Suor Angelica precedes a fabulously entertaining Gianni Schicchi, with a top drawer performance from Haobin Wang in the title role.
Britten’s blank postcard from Belsen: The Rape of Lucretia at the Royal Academy of Music
Drawing a line of suffering from ancient Rome to Golgotha to the concentration camps, Britten’s blank postcard from Belsen strikes to the heart of humanity. The Rape of Lucretia is brilliantly realised by the Royal Academy of Music.