Performer: Kazushi Ono

Mit einer neuen und revolutionären Inszenierung von Romeo Castellucci, zeigt die Oper Lyon eine radikale Analyse einer ideologisch oft missbrauchten Figur. Kazushi Onos mitfühlende Regie wandelte Arthur Honegger und Paul Claudels Werk in etwas Erhabenes, ohne die geheimnisvolle Spiritualität zu verlieren.

Richard Jones directs a new production at Tokyo's New National Theatre which lucidly articulates the structure of Berg’s expressionist music.

For his new staging of Rossini’s Guillaume Tell at the New National Theatre, Tokyo, director Yannis Kokkos avoids specific contemporary references, choosing a setting that transcends the times. 

Rare sur les scènes belges, le violoniste très attendu a délivré une somptueuse interprétation du concerto de Brahms, avant une symphonie de Scriabine trop soignée par le Brussels Philharmonic et son chef.

Foccroulle’s limited score imitates environmental catastrophe while Jocelyn’s libretto tries – unevenly – to understand why we might ignore it.

Kazushi Ono et le Brussels Philharmonic ont donné une version bien orageuse de la Symphonie « Italienne » de Felix Mendelssohn, tandis que Gautier Capuçon a livré une incarnation manquant de nuances dans Don Quixote.

With a remarkably extensive season featuring a slew of major guests, and the cream of Japanese classical music talent, the TMSO has an uncanny ability to switch between musical styles on a dime. 

Kazushi Ono, Artistic Director at Tokyo’s foremost opera house, introduces this year’s bel canto-infused season – and explains his vision for the house’s distinctive Theatergeist.

Beginning with an unusual Puccini/Ravel double bill, and with two new productions and an array of revivals, New National Theatre Tokyo’s season 2023–24 has much to offer.