Unsere Datenschutzrichtlinien wurden am Freitag 31 Januar 2020 aktualisiertMehr InformationenOK
Anmelden
Bachtrack logo
Home
Termine
Kritiken
Artikel
Video
Seite
TermineKritikenArtikelVideo

Performer: Kazushi Ono

Biographie

Kazushi Ono is Music Director of Tokyo Metropolitan Symphony Orchestra and Orquestra Simfònica de Barcelona i Nacional de Catalunya. In 2016 he became Artistic Consultant to the New National Theatre Tokyo, a position that he will hold until September 2018, after which he will become the Theatre’s Artistic Director of Opera.

He was formerly General Music Director of Badisches Staatstheater Karlsruhe, Music Director of La Monnaie in Brussels, Principal Guest Conductor of Filarmonica Arturo Toscanini. From 2008 to 2017, Kazushi Ono maintained his position as Principal Conductor of Opéra National de Lyon, during which he attracted international critical acclaim with landmark performances of works such as Prokofiev’s The Gamblers, Berg’s Lulu and Wagner’s Parsifal, thus reinforcing the company’s reputation for creating a series of new productions, including the compelling double bill of Dallapiccola’s Il prigioniero and Schoenberg’s Erwartung (2013); Beethoven’s Fidelio, in Lyon and at the Edinburgh International Festival (2013); Britten’s Peter Grimes and The Turn of the Screw(2014); Debussy’s Pelléas et Mélisande , Berlioz’s La Damnation de Faust (2015), and Shostakovich’s Lady Macbeth of Mtsensk (2016).

Following his tenure as Principal Conductor in Lyon, he was awarded ‘Officier de l’ordre des Arts et des Lettres’ by French cultural minister Françoise Nyssen, a further distinguished title adding to the prestigious Asahi Prize, given in January 2015, for his contribution to Japanese society. This award distinguishes individuals who have greatly contributed to the development and progress of Japanese culture and society at large.

Live Eventsmehr...

TokyoGeorges Bizet: CarmenNew production

New National Theatre Tokyo
Bizet: Carmen
Kazushi Ono; Àlex Ollé; New National Theatre; Alfons Flores; Lluc Castells; Stéphanie d'Oustrac; Migran Agadzhanyan

TokyoTMSO Special

Brahms, Mahler
Tokyo Metropolitan Symphony Orchestra; Kazushi Ono; Mihoko Fujimura; Eri Nakamura

TokyoTMSO Special

Brahms, Mahler
Tokyo Metropolitan Symphony Orchestra; Kazushi Ono; Mihoko Fujimura; Eri Nakamura
Neue Kritikenmehr...

Johanna war bloß und begraben: Romeo Castelluccis Inszenierung einer Legende

© stofleth
Mit einer neuen und revolutionären Inszenierung von Romeo Castellucci, zeigt die Oper Lyon eine radikale Analyse einer ideologisch oft missbrauchten Figur. Kazushi Onos mitfühlende Regie wandelte Arthur Honegger und Paul Claudels Werk in etwas Erhabenes, ohne die geheimnisvolle Spiritualität zu verlieren.
*****
Mehr

L’émouvant dépouillement de Jeanne d'Arc au bûcher de La Monnaie

Jeanne d'Arc au bûcher à La Monnaie © B. Uhlig
Castellucci s'approprie le mystère musical de Honegger et Claudel dans un spectacle stupéfiant, servi par la fabuleuse comédienne Audrey Bonnet. 
****1
Mehr

Czech lyricism and fervour from the LSO and Kazushi Ono

Kazushi Ono conducts the LSO © Mark Allan | Barbican

Kazushi Ono and LSO forces go with the flow in Janáček’s Glagolitic Mass after a relatively uninspiring first half.

***11
Mehr

Ono/OBC: Compelling Respighi and Bartók, disappointing Brahms

Kazushi Ono © Miyoshi Eisuke
It's a game of two halves in Barcelona from Kazushi Ono and the Orquestra Simfònica de Barcelona i Nacional de Catalunya.
***11
Mehr

Turandot in Tokyo: A bold reimagining of the ending

Irene Theorin (Turandot), Eri Nakamura (Liù) and Teodor Ilincăi (Calaf) © Masahiko Terashi / New National Theatre, Tokyo 2019
Alex Ollé focuses in the princess's trauma to provide a back story for Puccini’s problematic last opera; Eri Nakamura captivates the New National Theatre audience.
****1
Mehr

Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix

Aušrinė Stundytė (Renata) © Pascal Victor | artcompress
With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
****1
Mehr