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Performer: Kim Begley

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Bewusstseinsebenen: Szymanowskis Król Roger

Holdens Produktion gelingt es auf beeindruckende Weise, die Konzepte von Szymanowskis Król Roger zu erforschen – vielleicht eher psychologisch als philosophisch. Es ist eine Inszenierung, die zu erkunden es sich lohnt
****1
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A stylish Rake's Progress from Jurowski and the LPO

Toby Spence, Matthew Rose and Andrew Watts shine in a fluent semi-staging at the Royal Festival Hall.
****1
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To sing or not to sing: Hamlet in Adelaide

Brett Dean's Hamlet is an extremely powerful theatrical experience, excelling in all aspects of production, singing and musical values, but is it an opera?
****1
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One Rheingold to rule them all

With Andris Nelsons' withdrawal from Bayreuth last year, the BSO’s summer home, Tanglewood, became the venue for his Wagner with a concert performance of Das Rheingold
*****
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Hamlet boldly adapted by Brett Dean

Brett Dean treats Shakespeare's behemoth as a timeless story told in language that has become timeless; no effort is spared in elucidating and amplifying that story.
****1
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Earnest singing and dramatic insight in Das Rheingold

Earnest singing and dramatic insight made Das Rheingold with the Hong Kong Philharmonic a remarkable evening. 
***11
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