Neue Kritikenmehr...
Raising flags and questioning promises at Philadelphia’s Highmark Mann

Peter Boyer’s oratorio A Hundred Years On, commemorating the centenary of the 1876 World’s Fair, softens the blow of jingoism, looking to an earlier era of hope and broken promise.
Bolcom's Dinner at Eight served up at Wexford
Dinner at Eight, William Bolcom and librettist Mark Campbell's 2017 opera, had its European première at Wexford Festival Opera on Saturday under conductor David Agler. The opera is based on the 1932 play by George S Kaufman and Edna Ferber, in turn adapted into a movie by George Cukor (1933).
Songs of innocence and experience: Falstaff at Garsington
Bruno Ravella's fast-paced Falstaff for Garsington still has crucial space for pathos amid the comedy, with a notably subtle central performance from Henry Waddington.
Love's not Time's fool: Intermezzo at Garsington
At Garsington Opera, Richard Strauss' Intermezzo presents an utterly compelling picture of a mature marriage with its joys and trials; Mary Dunleavy brings it to life with a top class piece of acting.
