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Songs of innocence and experience: Verdi's Falstaff at Garsington

Von Charlotte Valori, 18 Juni 2018
Laden, bitte warten...
Veranstaltung anzeigen
“Waddington steadily excavates his character with forensic skill”
Rezensierte Veranstaltung: Garsington Opera, High Wycombe, am 16 Juni 2018
Programm
Verdi, Falstaff
Darsteller
Garsington Opera
Richard Farnes, Musikalische Leitung
Bruno Ravella, Regie
Giles Cadle, Bühnenbild, Kostüme
Henry Waddington, Sir John Falstaff
Mary Dunleavy, Alice Ford
Richard Burkhard, Ford
Soraya Mafi, Nannetta
Yvonne Howard, Mistress Quickly
Oliver Johnston, Fenton
Victoria Simmonds, Meg Page
Colin Judson, Dr. Caius
Adrian Thompson, Bardolfo (Bardolph)
Nicholas Crawley, Pistola
Garsington Opera Chorus
Philharmonia Orchestra
Malcolm Rippeth, Licht
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Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.
****1
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Three card trick: compelling new Queen of Spades at Garsington
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Simon Higlett’s exquisite sets and costumes give a backdrop to Donizetti’s frothiest of rom-coms.
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Madcap comedy from Verdi: Un giorno di regno at Garsington
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Christopher Alden, Chris Hopkins and an excellent cast send us a comic roller coaster ride with Verdi’s ultra-rarely performed second opera.
*****
Garsington Opera's new A Midsummer Night's Dream
Roy Westbrook, 16th June
In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings? 
***11
Weitere Kritiken...
Kritiken von
Adrian ThompsonBruno RavellaColin JudsonFalstaffGarsington OperaGarsington Opera ChorusGarsington Opera Youth CompanyGiles CadleGiuseppe VerdiHenry WaddingtonMalcolm RippethMary DunleavyNicholas CrawleyOliver JohnstonPhilharmonia OrchestraRichard BurkhardRichard FarnesSoraya MafiVictoria SimmondsYvonne Howard
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Charlotte Valori
Charlotte Valori
Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.