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New York CityThe Nutcracker – New York City Ballet

Tschaikowsky: Der Nussknacker
Marius Petipa; Lev Ivanov; George Balanchine; New York City Ballet; Rouben Ter-Arutunian; Barbara Karinska; Jean Rosenthal; New York City Ballet Orchestra
New York CityThe Nutcracker – New York City Ballet

Tschaikowsky: Der Nussknacker
Marius Petipa; Lev Ivanov; George Balanchine; New York City Ballet; Rouben Ter-Arutunian; Barbara Karinska; Jean Rosenthal; New York City Ballet Orchestra
New York CityRomeo and Juliet – New York City Ballet

Prokofjew: Romeo und Julia
Alexei Ratmansky; New York City Ballet; Richard Hudson; Jennifer Tipton; New York City Ballet Orchestra
New York CityAll Balanchine II – New York City Ballet

Tschaikowsky, Strawinsky
George Balanchine; New York City Ballet; Rouben Ter-Arutunian; Mark Stanley; New York City Ballet Orchestra
New York CityContemporary Choreography II – New York City Ballet

Strawinsky, Pärt
Justin Peck; Christopher Wheeldon; Jennifer Archibald; New York City Ballet; Chisato Tsumori; Mark Stanley; New York City Ballet Orchestra; Holly Hynes
New York CityJewels – New York City Ballet

Fauré, Strawinsky, Tschaikowsky
George Balanchine; New York City Ballet; Peter Harvey; Barbara Karinska; Mark Stanley; New York City Ballet Orchestra
Neue Kritikenmehr...
Adrian Danchig-Waring bids farewell to NYCB on his own terms

A stirring but not overly sentimental program curated by Adrian Danchig-Waring for his farewell performance included a striking new work by Pam Tanowitz, two towering Balanchine works and a Lar Lubovitch duet.
New York City Ballet: Pithoprakta makes a long-awaited Earth landing

An interesting mix of rarely seen and frequently revived Balanchine ballets at New York City Ballet.
An excellent contemporary program at New York City Ballet

New York City Ballet’s Contemporary Choreography I is a generous, exciting program featuring two new ballets that premiered at this season’s Fall Fashion Gala.
NYCB: retiring dancers make us ask why they’re retiring!

NYCB delivers first rate performances of three contrasting masterpieces from George Balanchine and Jerome Robbins in Masters at Work I.
Jewels endures: New York City Ballet’s fall season opens

Despite its gaudy sets and stretches of ho-hum choreography, Balanchine’s Jewels remains a triumph for New York City Ballet.
Mary, Queen of Scots: a Scottish martyr in New York

Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.
