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New York CityContemporary Choreography I – New York City Ballet
Morlock, Strawinsky, Verschiedene, Blake
Justin Peck; Kyle Abraham; Alysa Pires; Jennifer Archibald; New York City Ballet; New York City Ballet Orchestra
New York CityEclectic NYCB I – New York City Ballet
Ligeti, Mahler, Chabrier
Christopher Wheeldon; Alexei Ratmansky; George Balanchine; New York City Ballet; Holly Hynes; Mark Stanley; New York City Ballet Orchestra
New York CityAll Balanchine I
Rieti, Xenakis, Ives, Tschaikowsky
George Balanchine; New York City Ballet; John Taras; Marc Happel; Mark Stanley; New York City Ballet Orchestra
New York CityMasters at Work I – New York City Ballet
Delibes, Hindemith, Chopin
George Balanchine; Jerome Robbins; New York City Ballet; Barbara Karinska; Ronald Bates; New York City Ballet Orchestra
New York CityAdrian Danchig-Waring Farewell – New York City Ballet
Hindemith, Brahms, Strawinsky
George Balanchine; Lar Lubovitch; Pam Tanowitz; New York City Ballet; David Hays; Barbara Karinska; Mark Stanley; New York City Ballet Orchestra
New York CityThe Nutcracker – New York City Ballet
Tschaikowsky: Der Nussknacker
Marius Petipa; Lev Ivanov; George Balanchine; New York City Ballet; Rouben Ter-Arutunian; Barbara Karinska; Jean Rosenthal; New York City Ballet Orchestra
Neue Kritikenmehr...
Jewels endures: New York City Ballet’s fall season opens
Despite its gaudy sets and stretches of ho-hum choreography, Balanchine’s Jewels remains a triumph for New York City Ballet.
Mary, Queen of Scots: a Scottish martyr in New York
Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.
At NYCB, Fairchild bids adieu in her final performances of Coppélia
Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.
Good vibrations: Robbins, Balanchine and Bach at New York City Ballet
Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.
Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious
A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.
Contemporary escapism at New York City Ballet
A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.