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Intérprete: New York City Ballet Orchestra

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Nueva YorkAll Balanchine

Tchaikovsky, Various, Stravinsky
George Balanchine; Jerome Robbins; New York City Ballet; New York City Ballet Orchestra

Nueva YorkStravinsky & Balanchine

Stravinsky
George Balanchine; New York City Ballet; New York City Ballet Orchestra

Nueva YorkNew Combinations

Dancigers, Ligeti, Unknown
Justin Peck; Christopher Wheeldon; Alexei Ratmansky; New York City Ballet; New York City Ballet Orchestra

Nueva YorkBalanchine + Peck

Franck, Glass, Brahms
Justin Peck; George Balanchine; New York City Ballet; New York City Ballet Orchestra

Nueva YorkClassic NYCB I

Haieff, Françaix, Webern, Copland
George Balanchine; Justin Peck; New York City Ballet; New York City Ballet Orchestra
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NYCB does Cunningham ... and Balanchine

New York City Ballet in Merce Cunningham’s Summerspace © Erin Baiano
Judging by the enthusiastic audience reactions to this program one might have to rethink the modern/ballet divide. Maybe there’s only two types of dance – good dance and bad dance. 

Fall season's new works fall short at NYCB

Mary Thomas MacKinnon and Company in Lauren Lovette’s The Shaded Line © Erin Baiano
Disappointing new creations in NYCB's Fall Fashion Gala, leaving Balanchine's Symphony in C as a surefire closer. 

Union Jack makes a welcome return to NYCB's repertoire

Teresa Reichlen and New York City Ballet in George Balanchine’s Union Jack © Paul Kolnik
Union Jack isn't a Balanchine masterpiece – it's more of a fun-sterpiece, which is even better.

Something for everyone: Balanchine + Wheeldon at New York City Ballet

New York City Ballet in Christopher Wheeldon’s DGV: Danse à Grand Vitesse © Paul Kolnik
Whatever your taste in ballet, this program probably had it: Wheeldon's DGV meets Balanchine's Door and a Sigh and Raymonda Variations

Jewels under pressure: New York City Ballet opens its Fall season

Maria Kowroski and Tyler Angle in Diamonds © Paul Kolnik
A sharp, well-drilled ensemble and heavenly Fauré, Stravinsky and Tchaikovsky couldn't adequately compensate for the mixed bag of principal performances and the outdated look of Balanchine's Jewels at New York City Ballet.