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Mary, Queen of Scots: a Scottish martyr in New York
Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.
At NYCB, Fairchild bids adieu in her final performances of Coppélia
Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.
Good vibrations: Robbins, Balanchine and Bach at New York City Ballet
Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.
Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious
A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.
Contemporary escapism at New York City Ballet
A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.