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Titov und Hrůšas neuer Parsifal: musikalisch vollendete Dystopie
In der jüngsten Wagner-Inszenierung der Royal Opera in London liefern Jakub Hrůša und das Orchester eine Leistung ab, die in die Annalen eingehen wird, während Evgeny Titov eine intelligent nuancierte Dystopie inszeniert.
Irish National Opera’s new Rusalka intrigues more than it convinces
Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale.
Britten in the Rain: a Dream that charms in parts but lacks cohesion
Rain cannot wash away the charm of Britten’s A Midsummer Night’s Dream at Lismore Castle, a visually clever, if uneven, outdoor staging with moments of real enchantment.
NIO delivers an emotionally engaging Eugene Onegin in Belfast
Director Cameron Menzies offers a fresh perspective on Tchaikovsky's masterpiece Eugene Onegin in this Northern Ireland Opera production.
Gold medal for Irish National Opera's L’Olimpiade at Covent Garden
Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.
An enjoyable Magic Flute from Irish National Opera
A thoroughly satisfying, entertaining production of Mozart's Die Zauberflöte from Irish National Opera. Anna Devin delivers a delightful Pamina and Nick Pritchard a convincing Tamino.