Live Eventsmehr...
LondonIphigénie en TaurideNeuinszenierung

Gluck: Iphigénie en Tauride
David Bates; Lyndsey Turner; English National Opera; Soutra Gilmour; Tim Mitchell; English National Opera Orchestra; Christine Rice
ParisRuination: The True Story of Medea – Lost Dog

Perinpanayagam: Ruination
Ben Duke; Lost Dog; Soutra Gilmour; Jackie Shemesh
NavanLes BoréadesNeuinszenierung

Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
DublinLes BoréadesNeuinszenierung

Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
WexfordLes BoréadesNeuinszenierung

Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
TraleeLes BoréadesNeuinszenierung

Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
Neue Kritikenmehr...
ENO back on track with Gluck’s Iphigénie en Tauride

At the Coliseum, Lyndsey Turner’s unpretentious production of Gluck’s Iphigénie en Tauride succeeds on most levels.
Lost Dog’s The Last Hamlet: plenty of wit and invention

Though it has strong dance scenes and great comedic flair, Lost Dog’s deconstruction of Hamlet doesn’t quite take flight.
Mary, Queen of Scots: a Scottish martyr in New York

Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.
Scottish Ballet's Mary, Queen of Scots: some riveting performances

Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.
Mary, Queen of Scots: Scottish Ballet at Edinburgh Festival

Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure
Lost Dog in Ben Duke’s Ruination: essential viewing

Exceptional, witty performances combined with superb choreography and script make Ben Duke's take on the Medea myth unmissable.
