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Artiste: Soutra Gilmour

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LondresIphigénie en TaurideNouvelle production

© ENO
Gluck: Iphigénie en Tauride
David Bates; Lyndsey Turner; English National Opera; Soutra Gilmour; Tim Mitchell; English National Opera Orchestra; Christine Rice

NavanLes BoréadesNouvelle production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

DublinLes BoréadesNouvelle production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

WexfordLes BoréadesNouvelle production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

TraleeLes BoréadesNouvelle production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

CorkLes BoréadesNouvelle production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
Critiques récentesEn voir plus...

Mary, Queen of Scots: a Scottish martyr in New York

Madeline Squire and Roseanna Leney in Sophie Laplane’s  Mary, Queen of Scots © Steven Pisano
Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.  

Scottish Ballet's Mary, Queen of Scots: some riveting performances

Roseanna Leney as Mary with Scottish Ballet in Sophie Laplane’s Mary, Queen of Scots © Andy Ross
Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.

Mary, Queen of Scots: Scottish Ballet at Edinburgh Festival

Roseanna Leney (Mary) with Hannah Cubitt, Alice Kawalek, Melissa Polson, Danila Marzilli © Andy Ross
Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure

Lost Dog in Ben Duke’s Ruination: essential viewing

Liam Francis as Jason in Ben Duke's Ruination © Camilla Greenwell
Exceptional, witty performances combined with superb choreography and script make Ben Duke's take on the Medea myth unmissable.

American Ballet Theatre: Crime and Punishment punishes the audience

ABT in a scene from Helen Pickett's Crime and Punishment © Kyle Froman
Great novels make bad ballets. There might be exceptions to this rule, but this isn't it. 

Drew McOnie’s Nutcracker sparkles with individuality at Tuff Nutt

Mark Samaras as Clive  in Drew McOnie's Nutcracker © Mark Senior
McOnie's Nutcracker is a riot of non-stop fun, glitter, sheer pleasure and good dancing.