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Performer: Soutra Gilmour

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LondonIphigénie en TaurideNew production

© ENO
Gluck: Iphigénie en Tauride
David Bates; Lyndsey Turner; English National Opera; Soutra Gilmour; Tim Mitchell; English National Opera Orchestra; Christine Rice

NavanLes BoréadesNew production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

DublinLes BoréadesNew production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

WexfordLes BoréadesNew production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

TraleeLes BoréadesNew production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

CorkLes BoréadesNew production

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
Latest reviewsSee more...

Mary, Queen of Scots: a Scottish martyr in New York

Madeline Squire and Roseanna Leney in Sophie Laplane’s  Mary, Queen of Scots © Steven Pisano
Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.  
***11
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Scottish Ballet's Mary, Queen of Scots: some riveting performances

Roseanna Leney as Mary with Scottish Ballet in Sophie Laplane’s Mary, Queen of Scots © Andy Ross
Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.
***11
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Mary, Queen of Scots: Scottish Ballet at Edinburgh Festival

Roseanna Leney (Mary) with Hannah Cubitt, Alice Kawalek, Melissa Polson, Danila Marzilli © Andy Ross
Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure
*****
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Lost Dog in Ben Duke’s Ruination: essential viewing

Liam Francis as Jason in Ben Duke's Ruination © Camilla Greenwell
Exceptional, witty performances combined with superb choreography and script make Ben Duke's take on the Medea myth unmissable.
****1
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American Ballet Theatre: Crime and Punishment punishes the audience

ABT in a scene from Helen Pickett's Crime and Punishment © Kyle Froman
Great novels make bad ballets. There might be exceptions to this rule, but this isn't it. 
**111
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Drew McOnie’s Nutcracker sparkles with individuality at Tuff Nutt

Mark Samaras as Clive  in Drew McOnie's Nutcracker © Mark Senior
McOnie's Nutcracker is a riot of non-stop fun, glitter, sheer pleasure and good dancing.
*****
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