Neue Kritikenmehr...
Rossini ex machina: La Cenerentola in Oslo
Bei seinem ersten Ausflug in die Welt Rossinis, verwandelte der norwegische Regisseur Stefan Herheim La Cenerentola in ein brillantes, lustiges Spektakel, gefüllt mit nachdenklich stimmendem Humor und herausragendem Gesang.
La Cenerentola in Edinburgh: comic direction to savour
Herheim pulls us in unexpected directions, makes us laugh and makes us think as we enjoy fine Rossinian music and singing in Opéra de Lyon's production.
A simply staged Rossinian rarity in Barcelona
Emilio Sagi’s brightly lit but simplistic staging of Il viaggio a Reims moves the action from northern France to a sunny spa hotel in warmer climes.
La Cenerentola à Lille : ça roule !
Pour l'ouverture de la saison de l'Opera de Lille, Antonello Allemandi et Jean Bellorini proposent une Cenerentola pleine de fantaisie et de mouvement. Une production très inspirée par l'univers cinématographique... et la bicyclette !
Prom 14: a Barber with bite as Glyndebourne goes to The Proms
Glyndebourne's annual performance at the Proms proves dramatically untraditional but musically solid.
Forced farce: Arden's Barber at Glyndebourne
Annabel Arden's new production, although decently sung and visually striking, is seriously under-directed, allowing forced acting to blunt the humour.