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Performer: Teatro La Fenice

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VenedigVerdi's Don Carlo

Verdi: Don Carlo(s)
Myung-whun Chung; Robert Carsen; Teatro La Fenice; Radu Boruzescu; Petra Reinhardt; Alex Esposito; Piero Pretti

VenedigValtinoni's Pinocchio

Valtinoni: Pinocchio
Enrico Calesso; Gianmaria Aliverta; Teatro La Fenice; Alessia Colosso; Sara Marcucci; Silvia Frigato; Omar Montanari
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VenedigDorilla in Tempe

Vivaldi: Dorilla in Tempe, RV709
Diego Fasolis; Fabio Ceresa; Teatro La Fenice; Massimo Checchetto; Giuseppe Palella; Manuela Custer; Lucia Cirillo

VenedigDon Giovanni

Mozart: Don Giovanni
Stefano Montanari; Damiano Michieletto; Teatro La Fenice; Paolo Fantin; Carla Teti; Alessandro Luongo; Omar Montanari

VenedigDie Zauberflöte (The Magic Flute)

Mozart: Die Zauberflöte
Teatro La Fenice; Antonio Poli; Ekaterina Sadovnikova; Olga Pudova; Alex Esposito
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La Fenice reopens its doors with Vivaldi's first opera

Ottone in villa © Michele Crosera
The lack of a curtain has forced the director to employ a new inventiveness, if only with partially success.
***11
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Beware Posa! A black, bleak Don Carlo opens season at La Fenice

Alex Esposito (Filippo II) © Michele Crosera
Maestro Myung-Whun Chung leads an almost all-Italian cast in an impressive performance of Verdi’s most ambiguous masterpiece.
*****
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A second chance for a teenager Mozart in Venice

Il re pastore at the Teatro La Fenice in Venice © Michele Crosera
Il re pastore seems to be a work that deserves to be included in the repertoire for its undoubted qualities and not only because it foreshadows the genius of the works that will follow.
***11
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Young Mozart returns to Venice: Il sogno di Scipione

Il sogno di Scipione © Michele Crosera
Three sopranos and three tenors express a catalogue of "affections" in musical numbers full of coloratura and virtuosic effects that are already 100% Mozart despite the young age of the composer.
****1
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A psychological Macbeth at La Fenice

Vittoria Yeo (Lady Macbeth) and Luca Salsi (Macbeth) © Michele Crosera
This is one of Michieletto's simplest stagings yet, the imagery used to a minimum to allow for focus on the psychological core.
*****
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A regal, integral version of Semiramide in Venice

Alex Esposito (Assur) and Jessica Pratt (Semiramide) © Michele Crosera
La Fenice presents Rossini’s monumental farewell to Italy and to 18th-century tradition in Ligorio’s elegant new production with a superb cast.
*****
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