Neue Kritikenmehr...
Blue in Amsterdam: aktueller kann Oper nicht sein!
Das außergewöhnlich gute Sängerensemble trägt diese aussagekräftige Opernvorstellung bei ihrer europäischen Premiere.
Acre sensación tras la brillante producción de Theodora
La comprensión errónea del oratorio Theodora enturbia una, por lo demás, excelente producción de Katie Mitchell.
Crowning glory: DNO's Donizetti Tudor trilogy concludes
Angela Brower steals the crown in the final instalment of Jetske Mijnssen’s Donizetti trilogy with a voice of apparently limitless emotional range.
Dove and Middleton's Odyssey wins hearts in Bristol
The refurbished Beacon stages a world premiere of a large choral work which imbues complete empathy for one migrant and his story.
WNO’s abstract Magic Flute proves more contemporary than cohesive
WNO delivers a well-performed production of Mozart’s Magic Flute with some fresh ideas, but other which dilute it.
Richard Jones’ tacky Samson et Dalila fails to bring down the house
Inspiration eludes the director as a new staging of Saint-Säens’ biblical epic falls flat but for some excellent musical performances led by outstanding mezzo Elīna Garanča.