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Les étranges Contes d'Hoffmann de l'Opéra de Lyon
Si la mise en scène de Damiano Michieletto propose un spectacle bien mené et bien rythmé, l'œuvre d'Offenbach est plombée par une distribution inégale et une réalisation musicale peu subtile.
A strong new Figaro opens at Glyndebourne
Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.
Penthouse decadence for a shattering new Salome in Geneva
The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.
A feast for eyes and ears: Michieletto’s new ROH Hoffmann
With gloriously inventive sets and costumes, Alex Esposito’s splendid Four Villains drive a wonderfully entertaining new production.
Michieletto directs an excellent new Carmen at Covent Garden
Aigul Akhmetshina is outstanding in the title role, hearing Piotr Beczała is a privilege, but it's Damiano Michieletto's new staging that takes the honours.
Barrie Kosky delivers a devastating Carmélites at Glyndebourne
Brought to life by some sensational singing from a strong cast, Kosky's staging delivers repeated emotional punches.
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ParisŒdipe
Enescu: Œdipe
Ingo Metzmacher; Wajdi Mouawad; Opéra national de Paris; Emmanuel Clolus; Emmanuelle Thomas; Eric Champoux; Orchestre de l'Opéra national de Paris