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Performer: Zusatzchor der Oper Zürich

Veranstaltungstippsmehr...

ZürichLa forza del destino

La forza del destino
Verdi: La forza del destino (Die Macht des Schicksals)
Fabio Luisi; Andreas Homoki; Oper Zürich; Hartmut Meyer; Mechthild Seipel; Anja Harteros; Maria Pia Piscitelli

ZürichDie Sache MakropulosNew production

Die Sache Makropulos
Janáček: Die Sache Makropulos (Věc Makropulos)
Jakub Hrůša; Dmitri Tcherniakov; Oper Zürich; Elena Zaytseva; Evelyn Herlitzius; Sam Furness

ZürichIl turco in Italia

Il turco in Italia
Rossini: Il turco in Italia (The Turk in Italy)
Enrique Mazzola; Jan Philipp Gloger; Oper Zürich; Ben Baur; Karin Jud; Martin Gebhardt; Sami Bill

ZürichHänsel und Gretel

Hänsel und Gretel
Humperdinck: Hänsel und Gretel
Paul Daniel; Robert Carsen; Oper Zürich; Michael Richter; Gideon Davey; Deniz Uzun

ZürichFidelio

Fidelio
Beethoven: Fidelio
Markus Poschner; Andreas Homoki; Oper Zürich; Henrik Ahr; Barbara Drosihn; Andreas Schager; Oliver Widmer
Neue Kritikenmehr...

Intrigue, disguise and the damnation of ageing

Dean Murphy (Figaro) and Sinead O'Kelly (Rosina) © Herwig Prammer
The renowned IOS is geared to young singers of fine merit and talent. It recently premiered a new production of Rossini’s Il barbiere di Siviglia near Zurich.
***11
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Rossini’s Il turco in Italia docks in Zurich

Julie Fuchs (Fiorilla) and Pietro Spagnoli (Prosdocimo) © Hans Jörg Michel
In Il turco in Italia, Gioachino Rossini’s command of spiritedness and musical timing is well matched by the plot of lovers’ infidelities.
****1
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Enlightenment through compassion: Parsifal in Zurich

Stefan Vinke (Parsifal) and Nina Stemme (Kundry) © Danielle Liniger
Claus Guth’s grandiose production of Parsifal made major headlines in Zurich in 2011. With its new cast of principals, this revival is no less a sensation.
*****
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A sizzling myth of matricide

Evelyn Angela Gugolz (Klytaemnestra) and Georg Nigl (Orest) © Judith Schlosser
In the hands of director Hans Neuenfels, the Swiss première of Manfred Trojahn’s Orest was widely anticipated for its “splashes of gore and commensurate splatters of sound”.
*****
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